N^2 diagram explanation - openmdao

The N^2 diagram is color and shape coded.
Are the explanations of these included in the manual somewhere?
Some of them can be deduced more easily for example I assume orange one is implicit comp output. But there are combinations of black, gray circle square and surrounded square

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Related

Area of n overlapping circle [duplicate]

I recently came across a problem where I had four circles (midpoints and radius) and had to calculate the area of the union of these circles.
Example image:
For two circles it's quite easy,
I can just calculate the fraction of the each circles area that is not within the triangles and then calculate the area of the triangles.
But is there a clever algorithm I can use when there is more than two circles?
Find all circle intersections on the outer perimeter (e.g. B,D,F,H on the following diagram). Connect them together with the centres of the corresponding circles to form a polygon. The area of the union of the circles is the area of the polygon + the area of the circle slices defined by consecutive intersection points and the circle center in between them. You'll need to also account for any holes.
I'm sure there is a clever algorithm, but here's a dumb one to save having to look for it;
put a bounding box around the circles;
generate random points within the bounding box;
figure out whether the random point is inside one of the circles;
compute the area by some simple addition and division (proportion_of_points_inside*area_of_bounding_box).
Sure it's dumb, but:
you can get as accurate an answer as you want, just generate more points;
it will work for any shapes for which you can calculate the inside/outside distinction;
it will parallelise beautifully so you can use all your cores.
Ants Aasma's answer gave the basic idea, but I wanted to make it a little more concrete. Take a look at the five circles below and the way they've been decomposed.
The blue dots are circle centers.
The red dots are circle boundary intersections.
The red dots with white interior are circle boundary intersections that are not contained in any other circles.
Identifying these 3 types of dots is easy. Now construct a graph data structure where the nodes are the blue dots and the red dots with white interior. For every circle, put an edge between the circle middle (blue dot) and each of its intersections (red dots with white interior) on its boundary.
This decomposes the circle union into a set of polygons (shaded blue) and circular pie pieces (shaded green) that are pairwise disjoint and cover the original union (that is, a partition). Since each piece here is something that's easy to compute the area of, you can compute the area of the union by summing the pieces' areas.
For a different solution from the previous one you could produce an estimation with an arbitrary precision using a quadtree.
This also works for any shape union if you can tell if a square is inside or outside or intersects the shape.
Each cell has one of the states : empty , full , partial
The algorithm consists in "drawing" the circles in the quadtree starting with a low resolution ( 4 cells for instance marked as empty). Each cell is either :
inside at least one circle, then mark the cell as full,
outside all circles, mark the cell as empty,
else mark the cell as partial.
When it's done, you can compute an estimation of the area : the full cells give the lower bound, the empty cells give the higher bound, the partial cells give the max area error.
If the error is too big for you, you refine the partial cells until you get the right precision.
I think this will be easier to implement than the geometric method which may require to handle a lot of special cases.
I love the approach to the case of 2 intersecting circles -- here's how i'd use a slight variation of the same approach for the more complex example.
It might give better insight into generalising the algorithm for larger numbers of semi-overlapping circles.
The difference here is that i start by linking the centres (so there's a vertice between the centre of the circles, rather than between the places where the circles intersect) I think this lets it generalise better.
(in practice, maybe the monte-carlo method is worthwhile)
(source: secretGeek.net)
If you want a discrete (as opposed to a continuous) answer, you could do something similar to a pixel painting algorithm.
Draw the circles on a grid, and then color each cell of the grid if it's mostly contained within a cirle (i.e., at least 50% of its area is inside one of the circles). Do this for the entire grid (where the grid spans all of the area covered by the circles), then count the number of colored cells in the grid.
Hmm, very interesting problem. My approach would probably be something along the lines of the following:
Work out a way of working out what the areas of intersection between an arbitrary number of circles is, i.e. if I have 3 circles, I need to be able to work out what the intersection between those circles is. The "Monte-Carlo" method would be a good way of approximating this (http://local.wasp.uwa.edu.au/~pbourke/geometry/circlearea/).
Eliminate any circles that are contained entirely in another larger circle (look at radius and the modulus of the distance between the centre of the two circles) I dont think is mandatory.
Choose 2 circles (call them A and B) and work out the total area using this formula:
(this is true for any shape, be it circle or otherwise)
area(A∪B) = area(A) + area(B) - area(A∩B)
Where A ∪ B means A union B and A ∩ B means A intersect B (you can work this out from the first step.
Now keep on adding circles and keep on working out the area added as a sum / subtraction of areas of circles and areas of intersections between circles. For example for 3 circles (call the extra circle C) we work out the area using this formula:
(This is the same as above where A has been replaced with A∪B)
area((A∪B)∪C) = area(A∪B) + area(C) - area((A∪B)∩C)
Where area(A∪B) we just worked out, and area((A∪B)∩C) can be found:
area((A∪B)nC) = area((A∩C)∪(B∩C)) = area(A∩C) + area(A∩B) - area((A∩C)∩(B∩C)) = area(A∩C) + area(A∩B) - area(A∩B∩C)
Where again you can find area(A∩B∩C) from above.
The tricky bit is the last step - the more circles get added the more complex it becomes. I believe there is an expansion for working out the area of an intersection with a finite union, or alternatively you may be able to recursively work it out.
Also with regard to using Monte-Carlo to approximate the area of itersection, I believe its possible to reduce the intersection of an arbitrary number of circles to the intersection of 4 of those circles, which can be calculated exactly (no idea how to do this however).
There is probably a better way of doing this btw - the complexity increases significantly (possibly exponentially, but I'm not sure) for each extra circle added.
There are efficient solutions to this problem using what are known as power diagrams. This is really heavy math though and not something that I would want to tackle offhand. For an "easy" solution, look up line-sweep algorithms. The basic principle here is that that you divide the figure up into strips, where calculating the area in each strip is relatively easy.
So, on the figure containing all of the circles with nothing rubbed out, draw a horizontal line at each position which is either the top of a circle, the bottom of a circle or the intersection of 2 circles. Notice that inside these strips, all of the areas you need to calculate look the same: a "trapezium" with two sides replaced by circular segments. So if you can work out how to calculate such a shape, you just do it for all the individual shapes and add them together. The complexity of this naive approach is O(N^3), where N is the number of circles in the figure. With some clever data structure use, you could improve this line-sweep method to O(N^2 * log(N)), but unless you really need to, it's probably not worth the trouble.
The pixel-painting approach (as suggested by #Loadmaster) is superior to the mathematical solution in a variety of ways:
Implementation is much simpler. The above problem can be solved in less than 100 lines of code, as this JSFiddle solution demonstrates (mostly because it’s conceptually much simpler, and has no edge cases or exceptions to deal with).
It adapts easily to more general problems. It works with any shape, regardless of morphology, as long as it’s renderable with 2D drawing libraries (i.e., “all of them!”) — circles, ellipses, splines, polygons, you name it. Heck, even bitmap images.
The complexity of the pixel-painting solution is ~O[n], as compared to ~O[n*n] for the mathematical solution. This means it will perform better as the number of shapes increases.
And speaking of performance, you’ll often get hardware acceleration for free, as most modern 2D libraries (like HTML5’s canvas, I believe) will offload rendering work to graphics accelerators.
The one downside to pixel-painting is the finite accuracy of the solution. But that is tunable by simply rendering to larger or smaller canvases as the situation demands. Note, too, that anti-aliasing in the 2D rendering code (often turned on by default) will yield better-than-pixel-level accuracy. So, for example, rendering a 100x100 figure into a canvas of the same dimensions should, I think, yield accuracy on the order of 1 / (100 x 100 x 255) = .000039% ... which is probably “good enough” for all but the most demanding problems.
<p>Area computation of arbitrary figures as done thru pixel-painting, in which a complex shape is drawn into an HTML5 canvas and the area determined by comparing the number of white pixels found in the resulting bitmap. See javascript source for details.</p>
<canvas id="canvas" width="80" height="100"></canvas>
<p>Area = <span id="result"></span></p>
// Get HTML canvas element (and context) to draw into
var canvas = document.getElementById('canvas');
var ctx = canvas.getContext('2d');
// Lil' circle drawing utility
function circle(x,y,r) {
ctx.beginPath();
ctx.arc(x, y, r, 0, Math.PI*2);
ctx.fill();
}
// Clear canvas (to black)
ctx.fillStyle = 'black';
ctx.fillRect(0, 0, canvas.width, canvas.height);
// Fill shape (in white)
ctx.fillStyle = 'white';
circle(40, 50, 40);
circle(40, 10, 10);
circle(25, 15, 12);
circle(35, 90, 10);
// Get bitmap data
var id = ctx.getImageData(0, 0, canvas.width, canvas.height);
var pixels = id.data; // Flat array of RGBA bytes
// Determine area by counting the white pixels
for (var i = 0, area = 0; i < pixels.length; i += 4) {
area += pixels[i]; // Red channel (same as green and blue channels)
}
// Normalize by the max white value of 255
area /= 255;
// Output result
document.getElementById('result').innerHTML = area.toFixed(2);
I have been working on a problem of simulating overlapping star fields, attempting to estimate the true star counts from the actual disk areas in dense fields, where the larger bright stars can mask fainter ones. I too had hoped to be able to do this by rigorous formal analysis, but was unable to find an algorithm for the task. I solved it by generating the star fields on a blue background as green disks, whose diameter was determined by a probability algorithm. A simple routine can pair them to see if there's an overlap (turning the star pair yellow); then a pixel count of the colours generates the observed area to compare to the theoretical area. This then generates a probability curve for the true counts. Brute force maybe, but it seems to work OK.
(source: 2from.com)
Here's an algorithm that should be easy to implement in practice, and could be adjusted to produce arbitrarily small error:
Approximate each circle by a regular polygon centered at the same point
Calculate the polygon which is the union of the approximated circles
Calculate the area of the merged polygon
Steps 2 and 3 can be carried out using standard, easy-to-find algorithms from computational geometry.
Obviously, the more sides you use for each approximating polygon, the closer to exact your answer would be. You could approximate using inscribed and circumscribed polygons to get bounds on the exact answer.
I found this link which may be useful. There does not seem to be a definitive answer though.
Google answers. Another reference for three circles is Haruki's theorem. There is a paper there as well.
Depending on what problem you are trying to solve it could be sufficient to get an upper and lower bound. An upper bound is easy, just the sum of all the circles. For a lower bound you can pick a single radius such that none of the circles overlap. To better that find the largest radius (up to the actual radius) for each circle so that it doesn't overlap. It should also be pretty trivial to remove any completely overlapped circles (All such circles satisfy |P_a - P_b| <= r_a) where P_a is the center of circle A, P_b is the center of circle B, and r_a is the radius of A) and this betters both the upper and lower bound. You could also get a better Upper bound if you use your pair formula on arbitrary pairs instead of just the sum of all the circles. There might be a good way to pick the "best" pairs (the pairs that result in the minimal total area.
Given an upper and lower bound you might be able to better tune a Monte-carlo approach, but nothing specific comes to mind. Another option (again depending on your application) is to rasterize the circles and count pixels. It is basically the Monte-carlo approach with a fixed distribution.
I've got a way to get an approximate answer if you know that all your circles are going to be within a particular region, i.e. each point in circle is inside a box whose dimensions you know. This assumption would be valid, for example, if all the circles are in an image of known size. If you can make this assumption, divide the region which contains your image into 'pixels'. For each pixel, compute whether it is inside at least one of the circles. If it is, increment a running total by one. Once you are done, you know how many pixels are inside at least one circle, and you also know the area of each pixel, so you can calculate the total area of all the overlapping circles.
By increasing the 'resolution' of your region (the number of pixels), you can improve your approximation.
Additionally, if the size of the region containing your circles is bounded, and you keep the resolution (number of pixels) constant, the algorithm runs in O(n) time (n is the number of circles). This is because for each pixel, you have to check whether it is inside each one of your n circles, and the total number of pixels is bounded.
This can be solved using Green's Theorem, with a complexity of n^2log(n).
If you're not familiar with the Green's Theorem and want to know more, here is the video and notes from Khan Academy. But for the sake of our problem, I think my description will be enough.
If I put L and M such that
then the RHS is simply the area of the Region R and can be obtained by solving the closed integral or LHS and this is exactly what we're going to do.
So Integrating along the path in the anticlockwise gives us the Area of the region and integrating along the clockwise gives us negative of the Area. So
AreaOfUnion = (Integration along red arcs in anticlockwise direction + Integration along blue arcs in clockwise direction)
But the cool trick is if for each circle if we integrate the arcs which are not inside any other circle we get our required area i.e. we get integration in an anticlockwise direction along all red arcs and integration along all blue arcs along the clockwise direction. JOB DONE!!!
Even the cases when a circle doesn't intersect with any other is taken
care of.
Here is the GitHub link to my C++ Code

how to add handles to a corner in fontforge

Corner points in fontforge (seemingly also known as "coins", shown as squares in the UI), can have zero, one, or two handles to control the direction of the outgoing lines. This fact is nicely explained in the manual, but I cannot find any hints on how to control the number of handles.
How do I change the number of Bézier handles of a corner point?
In my specific case I have a straight line between two corners, and I would like to change this line to "bulge outwards" a bit. I tried to add a "curve point" between the two corners, but this gives me a strange curve point with no handles, which seems to be functionally identical to just another corner.
The simplest way to make a line bulge is to grab the line and drag (ensure the surrounding corner points are not selected first). This will immediately turn it from a line into a curve, and create control points. If you want to turn it back into a straight line, select the surrounding corner points then right-click the line and choose "Make Line".
You could equally add a curve point between the corners (CTRL-ALT-click where you want to add) and then merge it back out of existence using CTRL-M. This will leave the line as is, but with control points available.
Note that control points won't display unless you have selected an adjacent corner point or curve point. You can make them always display by selecting View>Show>Control Points (Always).
Very occasionally you may encounter what looks like a line but is actually a curve in which the control points coincide exactly with the corner points. The above methods will work fine in this situation too.

Two lines, random point and vector. How to find which line is located behind other one

I am developing a game, where player must walk in dark corridors. Character has a torchlight and camera is located above (like in GTA2).I have problem with shading algorithm.
So we have a light source(yellow cyrcle),bunch of walls(green and blue lines) and light vector(red arrow).
What we know:
- distance between light source and lines;
- length of lines;
- light vector coordinates;
- lines are NOT crossing with each other;
- angles of line endpoints;
Question:
How to make program see which line lies IN FRONT of other lines? For
example, in image we can see that green line is in front of blue line.
We could find a crosspoints of a vector and a both lines, then find length between lightsource and crosspoints and compare them to find the closest line, however it will slow down the program. Moreover, a situation may occur, where blue line will be closer to light source(if we move a light source a little upper), however program must still see that blue wall is located BEHIND green line.
Maybe we could somehow mark every line with some value?
EDIT : I also tried to create a value for every line by using formula: a/alpha + b/beta
Where:
a - distance between light source and first endpoint of a line
alpha - angle of first endpoint of a line
b - distance between light source and second endpoint of a line
beta - angle of second endpoint of a line
One of the angles must be reverted.
But in order this formula to work, it seems there must be some constant, example:
aconst/alpha + bconst/beta
Maybe by finding this constant I can give every line a value?
The statement
The blue line is behind the green line.
is equivalent to the statement
There is a ray from the light source that passes through the green line and then the blue line.
(Note that this is a mathematical ray, not a light ray-- it passes through blue and green obstacles.)
This is equivalent to
There is a ray from the light source that intersects both lines, and the green intersection is closer to the light source than the blue one is.
Searching for such a ray looks difficult at first, -- there are infinitely many to test -- but I argue that if such a ray exists, then there must be such a ray that passes through one of the line endpoints. Now there are only four to test.

Concave quadrilateral from rectangle

Using only CSS, can a quadrilateral with an inner angle that is greater than 180 degrees be created by manipulating a single rectangle? I know that an arbitrary convex quadrilateral can be created from a standard rectangle using CSS3 transformations.
I have been able to create concave polygons using multiple rectangles in several different ways (sometimes with the help of hiding overflow); some combination of:
Adjacent rectangles. This is a problem because visual discrepancies occur at the seams due to anti-aliasing, which is more obvious with a high-contrast background. The effect can be particularly bad when used in conjunction with a rotation (other than a "nice" rotation like 45 degrees). The rectangles also have a maddening tendency to be oddly aligned at various levels of zoom.
Overlapping rectangles, whereby the quadrilateral is composed of the union of the rectangles (the color of each rectangle is the color of the quadrilateral). This is a problem when the color of the quadrilateral uses an alpha channel, because the overlapping area appears darker.
Overlapping rectangles, whereby the quadrilateral is composed of the difference of the rectangles (the color of at least one rectangle is the color of the background). This is a problem when simulating a shadow by drawing the same shape at an offset, because the overlapping area of the foreground "erases" any underlying shadow.
[EDIT] An example of a concave quadrilateral (a kind of "Star Trek" symbol) using #1 and #3 above can be seen here.
I would like to have a concave quadrilateral with a simulated inset shadow (dark foreground color with alpha channel, light shadow color with alpha channel), which is why #2 and #3 above are problematic. An actual shadow seems out of the question at this point; I havent had very good experience with the shadows of tweaked elements.
So, any possibility to do this by manipulating a single rectangle? Or, is there some other way that I haven't considered?
[EDIT]
I think this is possible to a limited degree, but it's kind of a cheat: Use a single-character text whose glyph is already a concave quadrilateral in some reasonably safe font (for example, U+27A4, black rightwards arrowhead in Arial Unicode), then transform the crap out of it. This would have problems for cross-browser alignment with other elements of the page, however.
I'm pretty sure there's not, because while CSS relies on matrix transforms, it's not a free coordinate transform - the box coordinates are contrained via reflections:
If we have a rectangle (p1,p2,p3,p4) with p1 opposite p3 and p2 opposite p4, then the CSS representation of this rectangle is an a shape defined using only three points: p1, p2, p3 and then implied point p4 that is always computed as {p2 reflected over the midpoint of line p1-p3}. Any manipulation of the three real coordinates for the rectangle will lead to a change in the fourth, implied coordinate.
This makes it impossible to get a concave quadrilateral.

Calculating 2D angles for 3D objects in perspective

Imagine a photo, with the face of a building marked out.
Its given that the face of the building is a rectangle, with 90 degree corners. However, because its a photo, perspective will be involved and the parallel edges of the face will converge on the horizon.
With such a rectangle, how do you calculate the angle in 2D of the vectors of the edges of a face that is at right angles to it?
In the image below, the blue is the face marked on the photo, and I'm wondering how to calculate the 2D vector of the red lines of the other face:
example http://img689.imageshack.us/img689/2060/leslievillestarbuckscor.jpg
So if you ignore the picture for a moment, and concentrate on the lines, is there enough information in one of the face outlines - the interior angles and such - to know the path of the face on the other side of the corner? What would the formula be?
We know that both are rectangles - that is that each corner is a right angle - and that they are at right angles to each other. So how do you determine the vector of the second face using only knowledge of the position of the first?
It's quite easy, you should use basic 2 point perspective rules.
First of all you need 2 vanishing points, one to the left and one to the right of your object. They'll both stay on the same horizon line.
alt text http://img62.imageshack.us/img62/9669/perspectiveh.png
After having placed the horizon (that chooses the sight heigh) and the vanishing points (the positions of the points will change field of view) you can easily calculate where your lines go (of course you need to be able to calculate the line that crosses two points: i think you can do it)
Honestly, what I'd do is a Hough Transform on the image and determine a way to identify the red lines from the image. To find the red lines, I'd find any lines in the transform that touch your blue ones. The good thing about the transform is that you get angle information for free.
Since you know that you're looking at lines, you could also do a Radon Transform and look for peaks at particular angles; it's essentially the same thing.
Matlab has some nice functionality for this kind of work.

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